Archive for the ‘Theatre’ Category.

Security Theater and In-Flight Movies

Should airlines show only G movies during flights that have kids on board? Wouldn’t that be unfair to adults traveling without children? And what about families who have a total no-movie, no-media policy and don’t want their children watching anything at all? After all, what one parent deems permissible for their child may be against another parent’s rules. I know I would have been angry, not only if the movie being shown was inappropriate for kids per its rating, but inappropriate for MY kid according to MY maternal barometer. Does that mean airlines should stop showing films entirely? Or should they all adopt single-screens (at a cost to all of us, of course)?

Plane Diverted After Family Complains In-Flight Movie Is Inappropriate for Kids

Our answer is easy: don’t fly. Why teach your children to meekly accept authority from government agents engaged in security theater? And if you do fly, avoid airlines like United where delicate flowers (such as the “captain” of the United flight above) are in command.

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Phony in Chief

If you want to know what community organizers do, this is it — rub people’s emotions raw to hype their resentments. And this was Barack Obama in his old community organizer role, a role that should have warned those who thought that he was someone who would bring us together, when he was all too well practiced in the arts of polarizing us apart.

Why is the date of this speech important? Because, less than two weeks earlier, on May 24, 2007, the United States Senate had in fact voted 80-14 to waive the Stafford Act requirement for New Orleans, as it had waived that requirement for New York and Florida. More federal money was spent rebuilding New Orleans than was spent in New York after 9/11 and in Florida after hurricane Andrew, combined.

Truth is not a job requirement for a community organizer. Nor can Barack Obama claim that he wasn’t present the day of that Senate vote, as he claimed he wasn’t there when Jeremiah Wright unleashed his obscene attacks on America from the pulpit of the church that Obama attended for 20 years.

Unlike Jeremiah Wright’s church, the U.S. Senate keeps a record of who was there on a given day. The Congressional Record for May 24, 2007 shows Senator Barack Obama present that day and voting on the bill that waived the Stafford Act requirement. Moreover, he was one of just 14 Senators who voted against — repeat, AGAINST — the legislation which included the waiver.

When he gave that demagogic speech, in a feigned accent and style, it was world class chutzpah and a rhetorical triumph. He truly deserves the title Phony in Chief.

Phony in Chief, by Thomas Sowell

4 Stories about Washington DC: Compare and Contrast

Sally Quinn announces the end of power in Washington,” by Sally Quinn, The Washington Post, June 7, 2012

Speaking of outdated archetypes, Greg Gutfeld “rips ‘relic of a dying era’ Howard Dean over Netroots Nation remarks.” Dean’s whole speech sounded like he thought Jonah Goldberg’s The Tyranny of Cliches was a how-to guide for public speaking.

Confirmed: The Death of the Cool,” by Ed Driscoll, June 11, 2012

Our Celebrity President,” by Mark Steyn, NRO, June 9, 2012

Bubble on the Potomac,” by Andrew Ferguson, Time, May 26, 2012

And bonus video about why NYC is soooooo much cooler:


(Psssst, Anna. You’re not cool….)

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A Mid-Summer Night’s Dream

I saw this play, opening night at the Delacorte in Central Park … a must see ….
A Mid-Summer Night’s Dream, August 8 – September 9, 2007, Tuesdays – Sundays at 8:00 pm (more info and dates)
The Delacorte Theater is located near Turtle Pond, just south of the Great Lawn, in Central Park. The closest Park entrance from the East Side is Fifth Avenue at 79th Street; from the West Side, Central Park West at 81st Street. After entering, follow the footpath to the Delacorte Theater …

Shakespeare in Central Park – FREE

Shakespeare in Central Park started last night …. at the Delacorte Theatre … Romeo & Juliet … it was a beautiful evening to enjoy a comedy in the Park ….
The evening was cool and autumn-like with clear blue skies and a stiff breeze … the open-air stage was surrounded by lush green trees, which gave a magical feeling to the show … the stage was very minimal with a revolving wood-plank circle and a shallow moat of water in the centre … movable iron bridges and shelving provide the changeable scenes … the actors gave a fine performance with much water trashed about … it was thrilling to be at the show on opening night and enjoy a free performance.
Next week, the Metropolitan Opera will perform on Tuesday in the Great Lawn … Patsy’s fresh mozzarella & tomato pizza and vino to go … summer-time and the living is easy, fish are jumping …

    Romeo and Juliet, June 6 – July 7, 2007, Tuesday – Sunday at 8:00 pm (more info and dates)

    A Midsummer Night’s Dream, August 7 – September 9, 2007 Tuesday – Sunday at 8:00 pm (more info and dates)

Pick up your free Shakespeare in the Park tickets on the day of the performance beginning at 1pm at The Delacorte Theater in Central Park or from 1 to 3pm at The Public Theater Box Office, 425 Lafayette Street.
The Delacorte Theater is located near Turtle Pond, just south of the Great Lawn, in Central Park. The closest Park entrance from the East Side is Fifth Avenue at 79th Street; from the West Side, Central Park West at 81st Street. After entering, follow the footpath to the Delacorte Theater …

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Tosca – Free, August 1, 2006

Uncle Paq & Blackberry Ellie: Please go to the New York Grand Opera website for information about a free opera at 7.30 pm this coming Tuesday, August 1, 2006 … Tosca … at the Naumburg Bandshell, Central Park, 72nd Street at Mid-Park … let us all go bring a pinic buffet and sing-along in Italian …
Also see Naumburg Orchestral Concerts
Update: Postponed due to the heat.

Macbeth at Delacorte Theatre – FREE

Macbeth is playing at … through July 9, 2006 …
Strongly recommended … I saw the play last Wednesday and Thursday, even thought they posted a “Sold Out” sign … there are tickets available at the last minute because of many no-shows … sitting in the open fresh air in Central Park is so magical … the blowing wind amongst the trees, the movement of the clouds, the airliners, the stars …
The Delacorte Theater is located near Turtle Pond, just south of the Great Lawn, in Central Park. The closest Park entrance from the East Side is Fifth Avenue at 79th Street; from the West Side, Central Park West at 81st Street. After entering, follow the footpath to the Delacorte Theater …
all shows at 8:30 pm

  • Tuesday, June 20
  • Wednesday, June 21
  • Thursday, June 22
  • Friday, June 23
  • Saturday, June 24
  • Sunday, June 25
  • Tuesday, June 27
  • Wednesday, June 28
  • Thursday, June 29
  • Friday, June 30
  • Saturday, July 1
  • Sunday, July 2
  • Monday, July 3
  • Wednesday, July 5
  • Thursday, July 6
  • Friday, July 7
  • Saturday, July 8
  • Sunday, July 9
  • Pick up your free Shakespeare in the Park tickets on the day of the performance beginning at 1pm at The Delacorte Theater in Central Park (212-539-8750) or from 1 to 3pm at The Public Theater Box Office, 425 Lafayette Street [NYT | Central Park 2000]

    “Papering” and “Dressing the House”

    For theater-lovers, learning some industry jargon couldn’t hurt. “Papering the house,” for example, is a common producers’ practice to fill unsold seats. It’s done during previews — to start buzz about a new play, and assure a full house when critics are in attendance — or when a show is past its prime and ticket sales dip. “We used to invite staff from fellow theater offices, sort of as a professional courtesy,” says one theatrical company manager. “Now, no one wants to admit they’re papering, so we’re turning to sources outside the theatrical community.”

    Organizations such as Audience Extras (AE), Play by Play and Theatermania.com’s Gold Club collect lists of interested theatergoers. In exchange for an annual fee of $85 to $99, those individuals receive offers to Broadway, Off- and off Off-Broadway shows (sometimes on opening night) costing just $3 to $4.50 a ticket. Seeing a play for such a ridiculously small amount of money, however, is viewed as a privilege; in return, producers expect proper business attire, etiquette (no skipping out at intermission), and discretion (don’t brag at the box office about the great deal you got, while others pick up their full-price tickets). You are, in a sense, working the show, providing the actors with a full and attentive audience, often as they try to iron out kinks in a new production.

    Now That’s (Cheap) Entertainment,” by Joseph V. Amodio, Newsday, January 15, 2004

    Audience Extras distributes complimentary tickets to it’s subscribers when a show is in previews, under publicized, expecting a reviewer or celebrity to attend, or would like the benefit of a full house.

    As an Audience Extras subscriber you get to choose from over 1000 different events a year! You can attend as many shows as you like for only $3.00 reservation service charge per ticket! A portion of the service charge goes directly to The Memorial Foundation for the Arts to aid non-profit theaters.
    . . .
    Audience Extras (AE) is a “papering” system (i.e. provide additional audience to shows when needed) that was established by Mr. Peter Copani and his son John-Vincent to benefit the Performing Arts in three innovative ways. First, by screening for responsible, dependable and discreet people to put in an empty seat when a producer needs extra audience. Second, by distributing “paper” complimentary tickets in a way that could develop future audiences, that is, on a “free sample” introductory basis. The third benefit is to use the AE “papering” program as an ongoing funding source for non-profit theatre. The cost of the AE communication system is covered by the ticket recipients making it free for theatre companies and producers who use the service to “paper” or “Dress The House”.

    Audience Extras, 212-686-1966

    Theater Extras is a “seat-filling audience development organization” only. We do not sell tickets. Theater Extras arranges COMPLIMENTARY tickets for its members when a performance or event is in previews, under publicized, expecting the attendance of reviewers or celebrities, or would like the benefits of a full house. Performances range from previews to opening nights to performances throughout a show’s run.

    Theater Extras, 212-802-7277 or 914-304-4093

    Play by Play, a unique organization called upon by theatre producers to fill unsold seats to their Broadway and Off Broadway shows.

    Performances range from previews and opening nights to performances throughout a show’s run. Corporate attire is required for Broadway shows.

    Play by Play, 212-868-7052

    TheaterMania [Gold Club] works directly with producers, theaters, and venues to make tickets available for our members who discreetly fill the house and help build buzz and word of mouth for shows.

    Members log into the Gold Club, select shows and events from our exciting and diverse list of offerings, print a voucher, and present it to the box office. It’s that simple! The membership pays for itself with one or two shows!

    TheaterMania Gold Club, 212-352-0255

    Harold Pinter’s “Celebration”

    Even social-climbing New Yorkers, the most shameless name-droppers on the planet, might feel compelled to cut back on celebrity-citing after meeting the wistful waiter now serving boldface dish at the Atlantic Theater Company. An employee of a sweller-than-thou London restaurant, this logorrheic fellow, deliciously played by David Pittu, shows up in the enjoyably boisterous production of Harold Pinter’s “Celebration” that opened last night.

    Lifting the Art of Name-Dropping to a Cosmic Level,” by Ben Brantley, The New York Times, December 6, 2005
    A pair of Pinter plays,” by Jacques Le Sourd, The Journal News, December 6, 2005
    Atlantic Theater Company, 336 West 20th Street, 212-645-8015
    I saw this play and so very enjoyable … great acting! … Thanks to Ms Y-McGuinn!
    Post by Peter
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    “The Intelligent Design of Jenny Chow”

    Although its run at the Atlantic Theater Company is over, we saw “The Intelligent Design of Jenny Chow” last week … the acting was straight and to the point … excellent staging and props … very thoughtful and well written …
    “The Intelligent Design of Jenny Chow,” by Rolin Jones [New York]