Johnny Cash, God’s Gonna Cut You Down
Also see “A Johnny Cash Lent“
Archive for the ‘Art’ Category.
Also see “A Johnny Cash Lent“
Outcasts follows the Franciscan Friars of the Renewal as they work on the streets with the poor and forgotten of New York, New Jersey, Nicaragua, Honduras, England, and Ireland. Campo explained the film-making process, and what it was like to work with the Franciscans. Below is the interview, or you can listen to it on iTunes or SoundCloud.
What is Outcasts about?
Joe: Outcasts is a documentary produced by Grassroots Films about the Franciscan Friars of the Renewal (CFRs). I’ve been pretty close to the CFRs since 1988, so I kind of feel like I had the inside scoop. People will see the friars doing a lot of work and see them visible in the street, but I’ve had the opportunity to be very close with them and see what happens on the inside—some of the work that they do that people are not aware of.
Every normal person understands that every one of us stands on the shoulders of giants. Newton, Einstein, Aristotle, the inventors of the danish, and so on. And, though the West gave the East computers and plastic, and the East gave the West gunpowder and silk, undergraduates have given us nothing. But that’s not their fault — they’re young and innocent. They know nothing. You can’t blame an undergraduate for panicking about cultural appropriation any more than you can blame a puppy for chewing up your baseball mitt. That’s why these kids are in school — to learn things.
The spineless, weaselly deans and presidents of America’s universities should try to remember that.
The Liberal Fantasy of Cultural Appropriation, by Josh Gelernter
Moral preening. Ozymandias
An excellent method of preserving interior silence is to keep exterior silence. . . even in the world, each one of us can make his own solitude, a boundary beyond which nothing can force its way unperceived. It is not noise in itself that is the difficulty, but noise that is pointless; it is not every conversation, but useless conversations; not all kinds of occupation, but aimless occupations. In point of fact, everything that does not serve some good purpose is harmful. It is foolish, nay, more, it is a betrayal to devote to a useless objective powers that can be given to what is essential. There are two ways of separating ourselves from almighty God, quite different from one another but both disastrous, although for different reasons: mortal sin and voluntary distractions—mortal sin, which objectively breaks off our union with God, and voluntary distractions, which subjectively interrupt or hinder our union from being as close as it ought to be. We should speak only when it is preferable not to keep silence. The Gospel does not say merely that we shall have to give an account of every evil word, but of every idle thought.
I Wonder as I Wander, by John Jacob Niles
1. I wonder as I wander out under the sky,
How Jesus the Savior did come for to die.
For poor on’ry people like you and like I…
I wonder as I wander out under the sky.
2. When Mary birthed Jesus ’twas in a cow’s stall,
With wise men and farmers and shepherds and all.
But high from God’s heaven a star’s light did fall,
And the promise of ages it then did recall.
3. If Jesus had wanted for any wee thing,
A star in the sky, or a bird on the wing,
Or all of God’s angels in heav’n for to sing,
He surely could have it, ’cause he was the King.
In other words, Christ could have had anything, but what he chose was to be born as a man, and in choosing this, he chose to die. The “wonder” of the song is discerned in the startling revelation that the reason for the Lord’s decision to be “born for to die” was because of us. He did this all for us- not because he had to, but because we needed him to do it, an act of generosity that is made even more mysterious by the fact that there was nothing all that special about us that would have made us deserving of such generosity. Being high and mighty is really an illusion. We all are, as the song says, “poor ordinary people.”
. . .
The best of Christmas carols, which express not only the mystery of Christ’s holy birth, but also the total event of the Incarnation, are remarkably devoid of the sentimentality that has become synonymous with so many songs associated with the Christmas season. In respect to their theology, these carols are often extensions of the kinds of insights that one comes across in the Fathers of the Church who were able to correlate the events of Christ’s nativity to the Paschal Mystery; the wood of the stable foreshadows the wood of the cross and the swaddling clothes represent his burial shroud. We do not arrive at the scene of Christ’s birth and discover an event that can be abstracted from the rest of his revelation- what is presented to us in Bethlehem mysteriously contains within itself the events of Golgotha.
If forgetting history is now the purpose of higher education, I may be taking some risk by reminding the flagship censors of the persecution of Boris Pasternak by Soviet officials when Dr. Zhivago was published in the West and awarded the Nobel Prize. I will go further into danger and remind them also that Thomas Merton wrote a brilliant appreciation of that novel and its author. Among much else of value Merton said this: “It is characteristic of the singular logic of Stalinist-Marxism that when it incorrectly diagnoses some phenomenon as ‘political,’ it corrects the error by forcing the thing to become political.”
Censors on the flagship, by Wendell Berry