Archive for the ‘Art’ Category.

Provenance

After retiring from truck driving in 1987, Teri Horton devoted much of her time to bargain hunting around the Los Angeles area. Sometimes the bargains were discovered on Salvation Army shelves and sometimes, she willingly admits, at the bottom of Dumpsters.

Even the most stubborn deal scrounger probably would have been satisfied with the rate of return recently offered to her for a curiosity she snagged for $5 in a San Bernardino thrift shop in the early 1990s. A buyer, said to be from Saudi Arabia, was willing to pay $9 million for it, just under an 180 million percent increase on her original investment. Ms. Horton, a sandpaper-voiced woman with a hard-shell perm who lives in a mobile home in Costa Mesa and depends on her Social Security checks, turned him down without a second thought.

Ms. Horton’s find is not exactly the kind that gets pulled from a steamer trunk on the “Antiques Roadshow.” It is a dinner-table-size painting, crosshatched in the unmistakable drippy, streaky, swirly style that made Jackson Pollock one of the most famous artists of the last century. Ms. Horton had never heard of Pollock before buying the painting, but when an art teacher saw it and told her that it might be his work (and that it could fetch untold millions if it were), she launched herself on a single-minded post-retirement career — enlisting, along the way, a forensic expert and a once-powerful art dealer — to have her painting acknowledged as authentic by scholars and the art market.

Could Be a Pollock; Must Be a Yarn,” by Randy Kennedy, The New York Times, November 9, 2006
Where is the provenance???

“Provenance” is a list of the previous owners of a work of art, tracing it from its present location and owner back to the hand of the artist. Provenance has many uses: It can help to determine the authenticity of a work, to establish the historical importance of a work by suggesting other artists who might have seen and been influenced by it, and to determine the legitimacy of current ownership.

Provenance Research, Harvard University Art Museums

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Must see exhibition for all New Yorkers

Pablo Picasso, Seated Woman with Wristwatch, 1932
Pablo Picasso, Seated Woman with Wristwatch, 1932

Roy Lichtenstein, Girl with Beach Ball III, 1977
Roy Lichtenstein, Girl with Beach Ball III, 1977

I strongly diasagrree with Michael Kimmelman’s charcaterization of the Picasso exhibition at the Whitney Museum as

one of those dull affairs incubated in the world of academe: a walk-through textbook that goes to extraordinary lengths to state the obvious

What a horrible review by the chief art critic of the NYTimes … Friday evening I went and enjoyed the exhibition very much … I read the review after seeing the show … there are so many paintings from faraway places that are shown for the first time in NY … after the show at the Whitney, I went home and ate a simple supper of silky tofu with 2 Chinese fermented eggs, dressed with sesame oil and toasted sesame seeds … the red wine was a south-east Australian 2004 Penfolds Koonunga Hill shiraz cabernet … .
This exhibition is a must see for all New Yorkers …
“Picasso and American Art,” Whitney Museum of American Art, September 28, 2006 – January 28, 2007, 945 Madison Avenue at 75th Street, Friday’s from 6–9 pm is pay-what-you-wish admission, (press release – 5-page pdf)

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It pays to stroll through the flea market and avoid the TV shows

A very good eye for Fine Art … $50 makes $284,000 …

A painting bought for less than $50 at a Manhattan flea market 23 years ago sold at auction in London this week for $284,000. The picture, an oil on canvas by the Indian artist Francis Newton Souza, is a portrait of a bald, frowning man in a black suit, his eyes obscured by wire-rimmed glasses, and is dated 1958.

Bought for Less Than $50, Sold for $284,000,” By Ben Shapiro, Arts, Briefly, The New York Times, September 16, 2006
Also, he enjoyed the painting for those many years … It pays to stroll through the flea market and avoid the TV shows …
Francis Newton Souza
Bonhams

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Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting – in DC

The National Gallery of Art in Washingtan, DC, has a not-to-be missed exhibition underway … and the Chinatown bus only runs about $35 round-trip …

Titian, Pastoral Concert (Concert Champêtre), c. 1510, oil on canvas
Titian, Pastoral Concert (“Concert Champêtre”), c. 1510, oil on canvas

This show was 13 years in the making. Visually seductive and rich with exciting ideas, it is one that visitors will long savor.

Show reveals relationships,” by Sheila Wickouski, The (Fredericksburg) Free-Lance Star, July 27, 2006

A major new international exhibition, Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting, will present more than 50 masterpieces from the most exciting period of the Renaissance in Venice. Premiering June 18 through September 17 at the National Gallery of Art, Washington, the exhibition explores the relationships between these and other artists, emphasizes their innovative treatments of new pictorial themes such as the pastoral landscape, and reveals what modern conservation science has discovered about the Venetian painters’ techniques.
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The time span covered by the exhibition represents, visually and intellectually, the most exciting phase of the Renaissance in Venice, when the old Giovanni Bellini (d. 1516), Giorgione (d. 1510), and the young Titian, among others, were all working side by side. The exhibition will present approximately 60 paintings that best exemplify the new ideas and ideals: music, the pastoral landscape, the female nude, and the romantic portrait. It will include Bellini and Titian’s Feast of the Gods (1514 and 1529), Giorgione’s Adoration of the Shepherds (c. 1500), Laura (1506), and Three Philosophers (c. 1506).

Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting, an exhibition at the National Gallery of Art, June 18 – September 17, 2006, West Building, Main Floor. Mondays through Saturdays, 10 am – 5 pm, Sundays 11 am – 6 pm.
The National Gallery of Art is located on the National Mall between Third and Seventh Streets at Constitution Avenue, NW. The West Building is at 6th Street NW at Constitution Avenue NW , Washington, DC. The nearest Metro stops are Judiciary Square on the Red Line, Archives-Navy Memorial-Penn Square on the Yellow and Green Lines, and Smithsonian on the Blue and Orange Lines.
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Jean-Étienne Liotard – at the Frick

Jean-Étienne Liotard (1702-1789), Liotard Laughing, c. 1770, oil on canvas
Jean-Étienne Liotard (1702-1789), Liotard Laughing, c. 1770, oil on canvas, 84 x 74 (33 1/16 x 29 1/8), Musée d’art et d’histoire, Département des Beaux-Arts

Whatever Liotard was paid for these pictures [of Austrian Empress Maria Theresa's 16 children], it was too little. He poured every ounce of his talent into them. Each seamlessly blends several mediums: black and red chalk, pencil, pastel and watercolor. Details are executed with a watchmaker’s precision. To give the figures a naturalistic glow, Liotard colored the reverse side of each thin sheet of paper. Marie-Antoinette is bathed in a rosiness that you sense rather than actually see.

Jean-Étienne Liotard, the Unrelenting Eye of the Enlightenment,” by Holland Cotter, The New York Times, June 23, 2006

To his admirers, Liotard was the “painter of truth.” The artist was unsparing in his depiction of his sitters, including himself, avoiding the flattery and embellishment that characterized the art of his colleagues. He also avoided the painterly touches and visible brushstrokes favored by his contemporaries, railing in his Treatise on the Principles and Rules of Painting, published in 1781, that since one did not see such flourishes in nature, they had no place in art. Although the artist’s scrupulous realism put him at odds with the artistic establishment and did not please all of his sitters, it was the startling veracity of his likenesses that attracted the attention of noble and non-noble elites and secured his international reputation.

Special Exhibition: Jean-Étienne Liotard (1702-1789): Swiss Master,” June 13 through September 17, 2006, at the Frick Collection
The Frick Museum is pay as you wish on Sundays, 11am to 1 pm. A great bargain, go early and enjoy…
The Frick Collection, web site, 1 East 70th Street, 212-288-0700

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Unknown Wegee (Arthur Fellig)

Come visit New York City and see this wonderful exhibition of photographs by Weegee (Arthur Fellig)…


Unknown Weegee,” June 9 – August 27, 2006, at the International Center of Photography, 1133 Avenue of the Americas, at 43rd Street, 212-857-0000, $ admission fee
‘Unknown Weegee,’ on Photographer Who Made the Night Noir,” by Holland Cotter, The New York Times, June 9, 2006

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28th Annual Free Museum Mile – FREE

Mark your calendar for Tuesday, June 13, 2006, from 5:45 – 9:00 pm – the 28th Annual Museum Mile Festival … FREE
all the museums along Fifth Avenue will throw open their doors to the public for free, the Avenue will be closed to vehicular traffic, there will be world music every few blocks, crayon drawing for children on the avenue, etc.
I will head to the Cooper-Hewitt for their show of Hudson River School paintings and the National Academy for the American Art contemporary show.

Participating Museums along Fifth Avenue

Post by Peter
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Impressionist & Modern Art – Christie’s

Exhibition of Impressionist paintings at Christie’s, Rockefeller Centre, New York, tomorrow, 10:00 am – 12 noon … worth a detour …

Exhibition:

  • Monday, May 1, 2006, 10:00 am – 5:00 pm

  • Tuesday, May 2, 2006, 10:00 am – 12:00 pm

Sale, No. 1655, May 2, 2006, 7:00 pm
Christie’s, 20 Rockefeller Plaza, 212-636-2000
Please note that links to auction items usually stop working within 30 days after the auction concludes …
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Samuel Palmer : Vision and Landscape – at the Met

I love the MET when they show small exhibitions amongst all the very important art works … it is like strolling into a art gallery and … wow!

Samuel Palmer (1805–1881): Vision and Landscape

Samuel Palmer (1805–1881): Vision and Landscape

    Samuel Palmer (1805–1881): Vision and Landscape
    A major retrospective featuring watercolors, drawings, etchings, and oils by one of the most important British landscape painters of the Romantic era.

    March 7 – May 29, 2006, Galleries for Drawings, Prints, and Photographs, and The Howard Gilman Gallery, 2nd floor, Metropolitan Museum of Art, 1000 Fifth Avenue

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People and Animals – photographs by Yann Arthus-Bertrand

Yann Arthus-Bertrand, a French photographer, has taken some fascinating pictures of people and animals

Whitemine Vampire, accompanied by Laura Morris
PIMPERNEL SIMMENTAL BULL
Whitemine Vampire; accompanied by Laura Morris; owned by Bernard E. Kenney of Leicestershire, England (Royal Show, England)

He has also posted numerous portraits of people of different occupations …
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