Queens Museum of Art
One can go to the Queens Museum of Art at the Flushing Meadows Corona Park and enjoy the wonderful bird-eye's view of the tri-borough with all the buildings, airports, rivers, Central Park, etc. ... free, no charge and ample parking ... just off the Grand Central Parkway, years ago, I would use that as a pit-stop when I am tired driving along the LIE ... also, the Flushing Meadow park is wonderful for a stroll, the site of the World's Fair in the early 60's ... many years ago, I traveled to visit the Bronx Botanical Garden and I was disappointed because it is so similar to Central Park ... Central Park is free and the Bronx charges an admission fee, parking, etc.
p/s: my last Con Ed bill was $20 and change for the last 32 days, which is less then $1 a day for electricity, so cut down your energy consumption and you will not have to worry about nuclear generating plants ... use less electricity and sacrifice some creature comfort....
Museum of Arts & Design
I went to the Museum of Arts & Design last month. I must say that this is the best new museum in New York for a very long time. The exhibitions are very sophisticated and well crafted. The cliche that "my child could have done this art-work" does not apply here. I am so happy that Columbus Circle is finally getting done. There is the MTA subway station to be renovated. A great plus for New York.
Thursday night is the best time to visit because it is pay-as-you-wish ... 6 - 9pm.
Architects of the NYC Subway, Heins & LaFarge: The Tradition of the Great Public Works, Part I - 3/19/2007 - 7/8/2007
We do not normally reproduce press releases on AGINY, but the subway is so integral to NYC, and the design impacts so many people every day, that we are reproducing this press release, and encouraging our friends and readers to stop by the Transit Museum’s Gallery Annex in Grand Central Station and see these exhibitions, opening March 19, 2007.
Chandelier from City Hall Station Station opened 1904. Material: Bronze. Image credit: New York Transit Museum
Architects of the NYC Subway, Heins & LaFarge: The Tradition of Great Public Works, Part I (3/19/2007 - 7/8/2007) and Architects of the NYC Subway, Squire Vickers and the Subway’s Modern Age, Part II, (7/30/2007 – 10/28/2007)
Be sure not to miss two new exciting - consecutive - free exhibits at the New York Transit Museum entitled, Architects of the NYC Subway, Heins & LaFarge: The Tradition of Great Public Works, Part I (3/19/2007 - 7/8/2007) and Architects of the NYC Subway, Squire Vickers and the Subway’s Modern Age, Part II, (7/30/2007 – 10/28/2007). Culled from the extensive collections of the New York Transit Museum, The New York Historical Society, the Episcopal Diocese of New York, The Bronx Zoo / Wildlife Conservancy Center, and private collectors, more than sixty historic artifacts, architectural drawings, and photographs will display, the vision of the subway’s first architects, John L. Heins and Christopher G. LaFarge and the subsequent work of Squire J. Vickers at the Transit Museum’s Gallery Annex in mid-town Manhattan.
From 1901 to 1908, John L. Heins and Christopher G. LaFarge not only designed the first subway stations, but also the control houses, power substations and ornamental kiosks, in the popular Beaux-Arts style, evoking classical architecture using ceramics, metal, and wood. Because Heins & LaFarge began working more than a year after subway construction began, their primary duty was to decorate and make beautiful the stark utilitarian spaces built by engineers achieved by using ceramics, terra cotta relief’s and unique station plaques to identify and adorn each station. Says Roxanne Robertson, Director of Special Projects,“The crown jewel of the subway is the old City Hall Station which was designed by Heins and LaFarge. Visitors are still inspired by the arched tile ceilings, skylights, and brass chandeliers. This station still has the feeling of entering a grand cathedral and remains the NYC subway’s most spectacular space.”
Elements adorning the subway also included ceramic tiles, mosaics, terra cotta reliefs, sconces, iron railings and circular air vent covers. Examples of brass ticket booth grilles and metal exit signs in the exhibition are graceful, with their function masked by the beauty of design and materials. Design drawings of Manhattan’s control houses for 72nd, 103rd Streets and Brooklyn’s Atlantic Avenue show three similar structures with decorative arches, glass, metal, and terra cotta. Architects of the NYC Subway… also presents a dozen pieces of these original station ceramics. Because an immense amount of ceramics had to be designed, fabricated, and installed in less than three years, numerous companies were hired to produce these pieces. The work of the noted ceramics firms Grueby Faience Company of Boston, Atlantic Terra Cotta of Staten Island and New Jersey, and Rookwood Pottery Company of Cincinnati, are also represented in the exhibition.
Architects John L. Heins, Christopher Grant LaFarge, and Squire J. Vickers determined the aesthetics of New York’s subway system. These men created the decorative motifs that adorned the subways, allowing each station to be unique while contributing to its overall style. In 1907, Heins died of meningitis. Though he would work as an architect until his death in 1938, LaFarge worked on the subway only until 1908. Architect, Squire J. Vickers, was then hired and become the architect responsible for New York’s subway station’s design elements for the next four decades.
In addition to being business partners, John L. Heins and Christopher Grant LaFarge were friends, classmates, and brothers-in-law. The two met as architecture students at the Massachusetts Institute of Technology, studying a curriculum based on the French school of Beaux-Arts classical approach to architecture, but also stressing logical planning and design. They graduated in 1882, and in 1886, formed their own New York City firm. Heins & LaFarge specialized in ecclesiastical and residential buildings.
Today they are best remembered as the original architects for the Cathedral of Saint John theDivine. They began the cathedral project in the 1890s and would continue with it for two decades. During this time, Heins would also be appointed the State Architect of New York, responsible foroverseeing the design and construction of all state buildings.
In the first years of the new century, Heins & LaFarge continued with the Cathedral, but also designed the New York City subway stations and the Astor Court Buildings of the Bronx Zoo. Though these important civic projects might seem, at first, to be disparate, Heins & LaFarge used similar architectural elements and fabricators for each project. The Guastivino Fireproof Construction Company fabricated magnificent arches for the grand City Hall subway station, the Belmont Chapel of the Cathedral of Saint John the Divine, and the Elephant House of the Bronx Zoo. The Atlantic Terra Cotta Company produced ceramics for numerous subway stations and the Lion House at the Zoo. Pieces of these Zoo and subway ceramics, including examples taken from the 33rd Street, 110th Street, and 116th Street subway stations, are featured in the exhibitions. An architectural drawing for the Zoo’s Monkey House shows a frieze with classical design elements that can also be seen in subway station ceramics.
Architects of the NYC Subway, Heins & LaFarge: The Tradition of the Great Public Works, Part I, at the New York Transit Museum, 212-878-0106, March 19, 2007 - July 8, 2007, at the New York Transit Museum’s Gallery Annex at Grand Central, Monday-Friday, 8 am - 8 pm, Saturday and Sunday 10 am - 6 pm. Admission is Free. These exhibitions are made possible, in part, with funds from the New York State Council on the Arts, a state agency, and the New York City Department of Cultural Affairs. Additional support: Major sponsors: ARUP, Daniel Frankfurt, P.C., and Parsons Brinkerhoff. Supporting Sponsor: STV. Sponsors: FXFOWLE ARCHITECTS, PC, and Domingo Gonzalez Associates.
- City Hall Station - 1986 visit and 2006 visit - from forgotten NY. Many photos
- City Hall Subway Station - photos on Flickr from Triborough
- City Hall (IRT East Side Line) - from nycsubway.org. Many photos
- City Hall Station - from MIT.
- New York Transit Museum - Wikipedia
- Exploring the old City Hall station: new tours on tap - from Newyorkology
- Roger Shepherd has some good photographs and discussion of the ceramic tiles used in the subway
- The New York Subway: Its Construction And Equipment
After retiring from truck driving in 1987, Teri Horton devoted much of her time to bargain hunting around the Los Angeles area. Sometimes the bargains were discovered on Salvation Army shelves and sometimes, she willingly admits, at the bottom of Dumpsters.
Even the most stubborn deal scrounger probably would have been satisfied with the rate of return recently offered to her for a curiosity she snagged for $5 in a San Bernardino thrift shop in the early 1990s. A buyer, said to be from Saudi Arabia, was willing to pay $9 million for it, just under an 180 million percent increase on her original investment. Ms. Horton, a sandpaper-voiced woman with a hard-shell perm who lives in a mobile home in Costa Mesa and depends on her Social Security checks, turned him down without a second thought.
Ms. Horton’s find is not exactly the kind that gets pulled from a steamer trunk on the “Antiques Roadshow.” It is a dinner-table-size painting, crosshatched in the unmistakable drippy, streaky, swirly style that made Jackson Pollock one of the most famous artists of the last century. Ms. Horton had never heard of Pollock before buying the painting, but when an art teacher saw it and told her that it might be his work (and that it could fetch untold millions if it were), she launched herself on a single-minded post-retirement career — enlisting, along the way, a forensic expert and a once-powerful art dealer — to have her painting acknowledged as authentic by scholars and the art market.
"Could Be a Pollock; Must Be a Yarn," by Randy Kennedy, The New York Times, November 9, 2006
Where is the provenance???
"Provenance" is a list of the previous owners of a work of art, tracing it from its present location and owner back to the hand of the artist. Provenance has many uses: It can help to determine the authenticity of a work, to establish the historical importance of a work by suggesting other artists who might have seen and been influenced by it, and to determine the legitimacy of current ownership.
- What is provenance research? - Association of Art Museum Directors
- Provenance Resources Online - The Museum of Modern Art
- Provenance Research - The Getty
- Metropolitan Museum's Provenance Research Project
- Provenance Research - Princeton University Art Museum
- Museum Provenance Research - Google
- Nazi Era Provenance - American Association of Museums
Must see exhibition for all New Yorkers
Pablo Picasso, Seated Woman with Wristwatch, 1932
Roy Lichtenstein, Girl with Beach Ball III, 1977
I strongly diasagrree with Michael Kimmelman's charcaterization of the Picasso exhibition at the Whitney Museum as
one of those dull affairs incubated in the world of academe: a walk-through textbook that goes to extraordinary lengths to state the obvious
What a horrible review by the chief art critic of the NYTimes ... Friday evening I went and enjoyed the exhibition very much ... I read the review after seeing the show ... there are so many paintings from faraway places that are shown for the first time in NY ... after the show at the Whitney, I went home and ate a simple supper of silky tofu with 2 Chinese fermented eggs, dressed with sesame oil and toasted sesame seeds ... the red wine was a south-east Australian 2004 Penfolds Koonunga Hill shiraz cabernet ... .
This exhibition is a must see for all New Yorkers ...
"Picasso and American Art," Whitney Museum of American Art, September 28, 2006 - January 28, 2007, 945 Madison Avenue at 75th Street, Friday's from 6–9 pm is pay-what-you-wish admission, (press release - 5-page pdf)
Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting - in DC
The National Gallery of Art in Washingtan, DC, has a not-to-be missed exhibition underway ... and the Chinatown bus only runs about $35 round-trip ...
Titian, Pastoral Concert ("Concert Champêtre"), c. 1510, oil on canvas
This show was 13 years in the making. Visually seductive and rich with exciting ideas, it is one that visitors will long savor.
"Show reveals relationships," by Sheila Wickouski, The (Fredericksburg) Free-Lance Star, July 27, 2006
A major new international exhibition, Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting, will present more than 50 masterpieces from the most exciting period of the Renaissance in Venice. Premiering June 18 through September 17 at the National Gallery of Art, Washington, the exhibition explores the relationships between these and other artists, emphasizes their innovative treatments of new pictorial themes such as the pastoral landscape, and reveals what modern conservation science has discovered about the Venetian painters’ techniques.
. . .
The time span covered by the exhibition represents, visually and intellectually, the most exciting phase of the Renaissance in Venice, when the old Giovanni Bellini (d. 1516), Giorgione (d. 1510), and the young Titian, among others, were all working side by side. The exhibition will present approximately 60 paintings that best exemplify the new ideas and ideals: music, the pastoral landscape, the female nude, and the romantic portrait. It will include Bellini and Titian's Feast of the Gods (1514 and 1529), Giorgione's Adoration of the Shepherds (c. 1500), Laura (1506), and Three Philosophers (c. 1506).
Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting, an exhibition at the National Gallery of Art, June 18 - September 17, 2006, West Building, Main Floor. Mondays through Saturdays, 10 am - 5 pm, Sundays 11 am - 6 pm.
The National Gallery of Art is located on the National Mall between Third and Seventh Streets at Constitution Avenue, NW. The West Building is at 6th Street NW at Constitution Avenue NW , Washington, DC. The nearest Metro stops are Judiciary Square on the Red Line, Archives-Navy Memorial-Penn Square on the Yellow and Green Lines, and Smithsonian on the Blue and Orange Lines.
- "Venetian art," The Economist, July 29, 2006 ($)
- "The Titian that Moved a Nation," CultureGrrl, July 7, 2006
- "When Venice Shook the World," by Holland Cotter, The New York Times, July 7, 2006
Jean-Étienne Liotard - at the Frick
Jean-Étienne Liotard (1702-1789), Liotard Laughing, c. 1770, oil on canvas, 84 x 74 (33 1/16 x 29 1/8), Musée d’art et d’histoire, Département des Beaux-Arts
Whatever Liotard was paid for these pictures [of Austrian Empress Maria Theresa's 16 children], it was too little. He poured every ounce of his talent into them. Each seamlessly blends several mediums: black and red chalk, pencil, pastel and watercolor. Details are executed with a watchmaker's precision. To give the figures a naturalistic glow, Liotard colored the reverse side of each thin sheet of paper. Marie-Antoinette is bathed in a rosiness that you sense rather than actually see.
"Jean-Étienne Liotard, the Unrelenting Eye of the Enlightenment," by Holland Cotter, The New York Times, June 23, 2006
To his admirers, Liotard was the “painter of truth.” The artist was unsparing in his depiction of his sitters, including himself, avoiding the flattery and embellishment that characterized the art of his colleagues. He also avoided the painterly touches and visible brushstrokes favored by his contemporaries, railing in his Treatise on the Principles and Rules of Painting, published in 1781, that since one did not see such flourishes in nature, they had no place in art. Although the artist’s scrupulous realism put him at odds with the artistic establishment and did not please all of his sitters, it was the startling veracity of his likenesses that attracted the attention of noble and non-noble elites and secured his international reputation.
"Special Exhibition: Jean-Étienne Liotard (1702-1789): Swiss Master," June 13 through September 17, 2006, at the Frick Collection
The Frick Museum is pay as you wish on Sundays, 11am to 1 pm. A great bargain, go early and enjoy...
28th Annual Free Museum Mile - FREE
Mark your calendar for Tuesday, June 13, 2006, from 5:45 - 9:00 pm - the 28th Annual Museum Mile Festival ... FREE
all the museums along Fifth Avenue will throw open their doors to the public for free, the Avenue will be closed to vehicular traffic, there will be world music every few blocks, crayon drawing for children on the avenue, etc.
I will head to the Cooper-Hewitt for their show of Hudson River School paintings and the National Academy for the American Art contemporary show.
Participating Museums along Fifth Avenue
- 82nd Street: The Metropolitan Museum of Art
- 83rd Street: Goethe-Institut New York/German Cultural Center
- 86th Street: Neue Galerie New York
- 89th Street: Guggenheim Museum
- 90th Street: National Academy Museum and School of Fine Arts
- 91st Street: Cooper-Hewitt, National Design Museum
- 92nd Street: The Jewish Museum
- 103rd Street: Museum of the City of New York
- 105th Street: El Museo del Barrio
Post by Peter
Samuel Palmer : Vision and Landscape - at the Met
I love the MET when they show small exhibitions amongst all the very important art works ... it is like strolling into a art gallery and ... wow!
Samuel Palmer (1805–1881): Vision and Landscape
- Samuel Palmer (1805–1881): Vision and Landscape
A major retrospective featuring watercolors, drawings, etchings, and oils by one of the most important British landscape painters of the Romantic era.
March 7 - May 29, 2006, Galleries for Drawings, Prints, and Photographs, and The Howard Gilman Gallery, 2nd floor, Metropolitan Museum of Art, 1000 Fifth Avenue
- Samuel Palmer - The British Museum Exhibition, October 21, 2005 - January 22, 2006
- Samuel Palmer - Wikipedia
- Samuel Palmer - Handprint
Post by Peter
FREE First Saturday at the Brooklyn Museum - Brasil Carnival
First Saturday at the Brooklyn Museum, Brasil Carnival will be lots of fun for the whole family ...
At the Brooklyn Museum's Target First Saturdays, thousands of visitors enjoy free programs of art and entertainment each month from 5–11 p.m. All evening long, the Museum Café serves a wide selection of sandwiches, salads, and beverages, and a cash bar offers wine and beer. Parking is a flat rate of $4 starting at 5 p.m.
March 4, 2006
(these are just some of the events on March 4 - see web site for more)
6 p.m.–8 p.m.: World Music
Hall of the Americas, 1st Floor
Jeff Newell's New-Trad Octet of Brooklyn plays New Orleans Mardi Gras music with a twist.
6:30 p.m.: Performance
Iris and B. Gerald Cantor Auditorium, 3rd Floor
Drama of Works and 2 Punks Puppet Theatre combine overhead projection and traditional shadow puppetry to tell a Cajun fairytale in which the hero goes in search of that one special ingredient for a Mardi Gras gumbo. Free tickets available at the Visitor Center beginning at 5:30 p.m.
8 p.m.: Free Dance Lessons
Beaux-Arts Court, 3rd Floor
Get ready to move those dancing feet to the rhythms of samba music led by Stepping Out Dance Studio instructors.
9 p.m.–11 p.m.: Dance Party
Beaux-Arts Court, 3rd Floor
Twice voted the best Brazilian band in the U.S. by the Brazilian International Press Association, Grupo Saveiro will perform high-energy Brazilian music—just like at Carnival in Rio!
previous post: "Brooklyn Museum of Art - free first Saturdays," February 14, 2006
More fun things for summer visitors to enjoy - with a three-course lunch for $20.12
"Summer Restaurant Week" isn't over yet ... extended through Labor Day, some of New York's finest restaurants will continue to offer three-course lunches for just $20.12 (beverages, tax and tip are extra).
On the Upper East Side, before or after visiting the Whitney Museum and the Metropolitan Museum of Art, enjoy the fine French cuisine at Cafe Boulud, 20 East 76th Street, 212-772-2600 or at Dumonet at The Carlyle, 35 East 76th Street, 212-570-7192 ... classic French and delicious
On the Upper West Side, a visit to the New York Historical Society and the American Museum of Natural History must be combined with a lunch at Cafe des Artistes, 1 West 67 Street, 212-877-3500 ... Austrian-Hungarian and very cozy ...
On Columbus Circle, visit and shop at our own "Las Vegas" mall ... the new Time-Warner Center ... and lunch at Asiate in the Mandarin Oriental Hotel, 80 Columbus Circle at 60th Street, 212-805-8881 ... a very spectacular view of Central Park from the 35th floor!
Asiate« Close It
- New York metro.com
- MenuPages - menu and reviews
- New York Press (scroll down)
- New York Times
Cafe des Artistes
A Friday evening Fine Arts education
Keep Friday evenings free because it is pay as you wish ...
(1) Start at the Guggenheim Museum, 6 pm. - 8 pm., 1071 5th Avenue (88th Street), take the elevator to the top floor and walk down the circular staircase ... so much fun ... to see the art-works ... people watching ... time required about 45 minutes ...
(2) Afterwards, walk out of the museum and head south and east to Sant Ambroeus, 1000 Madison Avenue (78th Street), treat your-self to two scoops of delicious ice-cream or fruit ice for $3 ...
(3) Then walk south to The Whitney Museum, 6 pm. - 9 pm., 945 Madison Avenue (75th Street) ... keep the Whitney for last because of the 9 pm closing time ... watch all the Lower East Side young and very hip folks trekking up-town for the 5 floors of American art ...
In one evening, you get a very cool Fine Arts education with some exercise and lots of ice-cream ... I'm in heaven on earth ...
AGINY Good Value
Greater New York 2005 at PS1
Greater New York 2005 ... Currently the best museum exhibition in town ... PS1 (an exhibition of contemporary art) ... through September 26, 2006 ... 22-25 Jackson Ave, Long Island City... 718-784-2084 ... in Queens...I was there, last Sunday. Pay as you wish...suggested admission...a great bonus... directions